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‘I don’t feel gendered’: Rachel Cusk’s most radical novel yet makes the familiar strange – and moves beyond womanhood

By Jane Gleeson-White, Adjunct Lecturer, English and Creative Writing, UNSW Canberra, UNSW Sydney

Rachel Cusk’s twelfth novel is strange, compelling and ferociously intelligent. It explores artists, mothers and daughters, and the ‘blankness of spirituality’ on the other side of gender.

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